Not a tour of the building and not a sales meeting with a piano in the corner. You play something in the first ten minutes, whether you have touched an instrument before or not.
Roughly six in ten trial students enrol. The other four leave with the practice sheet from the lesson and nobody rings them afterwards — a free lesson people dread booking is not a free lesson.
Choose whichever you are curious about. If it turns out to be the wrong one, your second trial lesson on a different instrument is also free — that happens about once a week and it is fine.
Trial lessons run outside the busy teaching hours, which is why the times look unusual. Pick one and we confirm it by message within the hour.
Written out because the biggest reason people do not book a free lesson is not knowing what will be asked of them.
No audition, no scales, no questions about whether you are musical. The teacher asks what music you actually listen to, and that answer decides the rest of the lesson.
A real phrase from a real song, at whatever speed works. Complete beginners get there too — the arrangement is simplified until it is playable, not until it is easy to talk about.
One habit is corrected properly — a hand position, a breath, a stick grip. This is the part that shows you what a lesson actually feels like, and it is why the trial is not a demonstration.
What you played, what to practise, and how long it should take. Yours whether you enrol or not, and about a third of trial students use it and never come back — that is a fine outcome.
Everyone here still performs or records. Trial lessons are taught by the person who would teach you afterwards — you never meet a "trial teacher" and get someone else at lesson two.
Printed here rather than saved for the end of the trial, because a price revealed after a nice experience feels like a trap even when it is fair.
No registration fee, no annual fee, and no minimum number of terms. If you stop, you stop — the only thing we ask is a week's notice so the slot goes to someone on the waiting list.
"My daughter played four bars of a song she actually likes within twenty minutes. She had refused three other schools because they started with a theory book."
"I am 61 and expected to be gently laughed at. I got a sheet with three exercises and a note saying which one to do first. I practise from it at home and never signed up."
"Four stars because the Saturday slots vanish fast. The lesson itself was the first time anyone explained why my wrist hurt after ten minutes of playing."
No. Every room has the instrument in it, including drums and a full-size piano. Bring your own if you have one and want it checked over — teachers will set up a guitar or restring it during the trial at no cost.
Free, no card taken, no deposit, and you keep the practice sheet. The catch, such as it is: about six in ten people enrol afterwards, and that is what pays for the teacher's forty-five minutes. If you are not one of them, nobody phones you.
Always, for any age. Every room has a window onto the corridor as well, and some children play better when the parent watches from there instead. Teachers hold current background checks and the certificates are at reception.
Just over half of our students are adults, and the evening trial slots exist for that reason. The lesson has no age-appropriate material and no children's repertoire — you play music you chose, from the first lesson.
Message us any time before the slot and it goes to the next person on the list, no penalty and you can rebook. Two no-shows without a message and we stop offering trial slots to that number — they are genuinely limited and someone else wanted it.
Yes, one more free trial on a different instrument. It happens about once a week, usually when someone books guitar and discovers they wanted drums. A third is charged at the pay-as-you-go rate.
Tell us who it is for and which instrument, and we confirm a time by message within the hour. Nothing is charged and no account is created.